The Potters Shop & School

Dear Friends and Visitors to the site,,,,,,,,While the gallery exhibition of "A Father's Kaddish" ended on October 8, 2015, the online presentation will remain indefinitely. There will be periodic updates as "A Father's Kaddish" and the journey of the Kaddish Chawan continues to live on ,,,,,,

Please scroll to the bottom of the page as updates to the site will appear there in the order in which they emerge and come to be. Thank you so much for visiting,,,,,

LANDSCAPE VESSEL

Glazing my Kaddish Chawan was a solitary and singular practice. I glazed them and nothing else at the same time. There were no other pots on the table and I thought of nothing else. The firing was the same. I fired only the Kaddish Chawan in one week groupings, seven chawan in each firing.

When I was glazing the last few chawan my thoughts traveled to places that we had visited as a family, especially those places that we visited on our family cyclotouring trips. These were special times together; on our own, on our bicycles, unsupported, exposed. I speak to friends about these trips often. Spontaneously, images of the beautiful landscapes that we rode through here in the US, Canada and Denmark played across my mind, and a vessel waiting to be glazed and fired, presented itself. This Landscape Vessel is the only piece that I glazed and fired in concert with my Kaddish Chawan.

900. SOLD

THE YELLOW TAGS

All of these chawan, and all of my chawan, are thrown on the potters wheel using a method called "throwing off the hump." It is a technique whereby a large piece of clay, 15-20 pounds, is put on the wheel, it is shaped into a tall cone and small pieces are made successively off the top and cut off. The bottoms or "foot" of pieces made this way must be trimmed by placing them upside down only after they have hardened sufficiently. Because of this method, the work cannot be signed or otherwise labeled until the trimming has taken place.

In order to preserve the daily order of the making of my Kaddish Chawan, I wrote the number of the piece on these yellow notes and placed them inside each bowl as I made them.

Just as I have asked you to experience the exhibition as closely as I made the journey, these yellow tags also chronicle my daily Kaddish.

Rabbi Keith Stern, a dear friend of ours and a very important friend to Jared, was so moved by the exhibition and being in the presence of the 365 Kaddish Chawan that he crafted his 2015 Yom Kippur concluding sermon framing the experience and expression of Mourners Kaddish, grief, and remembrance around “A Father’s Kaddish.” Listen to his talk here.

My Year Of Kaddish

All 365 Kaddish Chawan's are glazed and then fired in the Raku technique. This firing method is Japanese in origin dating to the late 16th century. The technique is closely associated with the origins of the Japanese Tea Ceremony, and Raku Chawan's are prized by Japanese Tea Masters and practitioners. I was first introduced to Raku as a graduate student in 1975 andhave been Raku firing my work exclusively since the early 1980's. When Jared began studying pottery he often assisted me with my firings. Click on the image below for a full explanation of Raku.

A Father's Kaddish, the film

Update; March 2017

During the final week of the exhibition, I was approached by documentary filmmaker Jen Kaplan who had heard about the show. She was so moved by what she saw, she approached me about making a documentary film about the exhibition and the ten years that brought me to that place. As of this date, a trailer has been made, the filming is complete and the editing has begun. The plan is to complete the film in the late spring and debut it at the Boston Jewish Film Festival in November.

Here is the 4 minute trailer

If you would like to participate in bringing “A Father’s Kaddish” to life on film, you may make a tax deductible donation here: https://secure.donationpay.org/documentaries/film_no_stats.php?f=kaddish

With heartfelt thanks....

Update; October 2017

In 2015, shortly after the closing of “A Father’s Kaddish,” I was contacted by Bonnie Kemske, clay artist, writer and chanoyu (Japanese tea ceremony) practitioner. She had become aware of my devotion to the chawan and the exhibition of my 365 Kaddish Chawan’s. Bonnie was assembling stories and images for a new book, The Teabowl: East and West and asked me if she could include my Kaddish Chawan’s in the book. The Teabowl: East and West was published this fall.

Excerpt from The Teabowl: East and West, BloomsburyPress, page 122-123

A response to our world

Among Tea practitioners the teabowl is not seen as the most important utensil. Usually that role is held by the scroll, followed by the tea caddies (chaire and natsume), then the tea scoop (chashaku), and finally the teabowl. However, the teabowl is the object imbued with the greatest intimacy between host and guest. It is held in both hands and touched to the lips; it is experienced as much through its tactile qualities as through its appearance. It is the physical link between host, guests and even the potter.

It is this inherent personal quality that has drawn many ceramicists to the chawan and led to its iconic status. Some potters have responded to tragedies in their lives through the teabowl. During the year following his son’s death, Steven Branfman (US) created a teabowl each day (figure 81). ‘For a year they were the only pots I made. One chawan each day no matter where I was. My wife Ellen, son Adam, and I, together in Shul, said Kaddish [the Jewish mourning ritual] every day for a year. My daily chawan making at my wheel was my own personal Kaddish.Ten years later Branfman exhibited the teabowls in a powerful exhibition titled A Father’s Kaddish: The Celebration of (a) Life in the Aftermath of Death.

Upon the publication of The Teabowl: East and West, Bonnie went on a speaking tour in which she highlighted significant aspects of her book. Click on the image below to listen and watch her 2017 lecture at the Daiwa Anglo-Japanese Foundation. You can forward to the 30:13 mark to hear her remarks about A Father's Kaddish.

Update; November 2017

Coinciding with the publishing of The Teabowl: East and West , the Leach Pottery Museum in St. Ives, England, mounted an exhibition “The Teabowl: Past & Present” in which my work is included.

From The Leach Museum:

This Museum exhibition tells the story of the teabowl, a highly valued ceramic form closely linked with Japan and becoming increasingly popular in contemporary Western ceramics. The exhibition will present 55 examples of teabowls, including historic teabowls from the East, teabowls made in the West in the spirit of tradition, and teabowls made with a sense of subversion.

Curated by artist and writer Dr Bonnie Kemske, and Dr Matthew Tyas of the Leach Pottery, the exhibition will also tell the history of the teabowl, as it arose in the East through use in chanoyu, or Japanese tea ceremony, and its journey to the West. Outside of Japan, many potters have venerated traditional teabowl techniques and aesthetics, while some have chosen to subvert and challenge its deep cultural legacy.

The leach Museum

Update; October 2019

Work on the film was put on hold while the filmmaker had to work on some time critical projects. She is now back to work with final editing to begin in 3 weeks. The plan is to finish the film in the spring of 2020 and debut at the Boston Jewish Film Festival in October. 2020 is significant and it's debut in 2020 would be poetic. It will mark the 15th anniversary of Jared's passing and the 5 year anniversary of "A Father's Kaddish." Fundraising for the completion of the film continues and if you would like to support the project you can make a tax deductible donation by sending a check to the Center For Independent Documentary, 1300 Soldiers Field Road, Suite #5, Boston MA 02135. Write "A Father's Kaddish" in the memo line or enclose a note. Thank you for your interest and consideration.

Update; February 2020

The last of the footage has been shot and the final editing is well underway. A rough cut screening before a group of filmmakers took place in January and all is on track for the film to be completed and ready for debut in late spring.

If you would like to support the completion of "A Father's Kaddish" and help bring it to the screen, you can make a tax deductible donation by sending a check to the Center For Independent Documentary, 1300 Soldiers Field Road, Suite #5, Boston MA 02135. Write "A Father's Kaddish" in the memo line or enclose a note. Thank you so much for your interest and consideration.

Update; March 2020

The January rough cut screening before a group of filmmakers has led to the completed video and audio portions of the production. Color correction and fine tuning of the audiois underway and the rolling credits are being crafted now. As soon as those components are finished, "A Father's Kaddish, The Film" will be submitted to a selection of film festivals, the signature festival being the Boston Jewish Film Festival for debut. Please consider being involved in the production of "A Father's Kaddish, The Film" by making a donation towards it's completion and debut.

The producer has set the condition that donations over $100 will be acknowledged with the donors name (with the donors permission) in the final credits. You can make a tax deductible donation online at https://secure.donationpay.org/documentaries/film_no_stats.php?f=kaddish

Or you can send a check to the Center For Independent Documentary, 1300 Soldiers Field Road, Suite #5, Boston MA 02135. Write "A Father's Kaddish" in the memo line or enclose a note.

Thank you so much for your interest and consideration.

Update; April 2020

A Father's Kaddish is complete! The film is being submitted to film festivals throughout the USA and abroad. As soon as we are notified of acceptances I will post them here.

***Update;* October *2020***

Exciting news! A Father's Kaddish has been accepted into the Toronto Jewish Film Festival for it's World Premiere and the Boston Jewish Film Festival for it's USA Premiere.

Update; November 2020

The reception that A Father's Kaddish received following the Toronto and Boston festivals was extraordinary:

Simply exquisite. The healing powers of art, ritual, connection and time, uniquely blended to bring meaning to your grief. Kaddish as it should be.

Dr Karen J Dover, Ottawa ON

I thought it was the best thing I saw at the Festival.

Edna, Toronto ON

We sat silently, because there were no words needed. It was beautiful and moving. It also helped me understand you, your life, your mission...a little more than before.

Jane and Jon Migdol, Natick MA

Much of my clinical work has been focused on helping people navigate grief and loss and you have captured a unique journey to find your way through and along the way to create and help others to also be seen.

Patricia Rogers, West Roxbury MA

Update; September 2021

Since the film's premieres in Toronto and Boston, A Father's Kaddish has appeared in over 20 film festivals around the USA. Accompanying the screenings have been live, Q&A's with me and Director Jen Kaplan. A Father's Kaddish continues to be screened at film festivals, community screenings, and is scheduled well into 2023.

Update; May 2023

A Father's Kaddish has now appeared in over 40 film festivals and community screenings around the USA. All screenings include live, Q&A's with me and Director Jen Kaplan, as well as an exhibition of a selection of remaining Kaddish Chawans, all available for purchase. A Father's Kaddish continues to be screened at film festivals, community screenings, and is scheduled well into 2023 and 2024.

To be kept up to date on screenings and Q&As, pease visit the film website where the screening schedule is posted and where you can sign up for our mailing list to receive monthly updates on screening schedules and details.